The blog & portfolio of Matthew J. Rogers

Blog: TV, Movies, Media RSS for this category

WARNING: I’m going to try not to be specific, but there might be spoilers in here.

At the end of the most recent Battlestar Galactica episode, Maelstrom (which is a hugely significant moment in the storyline of the entire series), a main character is killed. Edward James Olmos, the amazing actor who plays Admiral William Adama, has the final scene alone in his quarters, and he is reacting to the death of the character. The actors and crew of the show were all incredibly upset when they read this script and found out one of their family would be gone after Maelstrom, so it was somewhat easier for Eddie Olmos to portray the incredible emotion he did in that last scene.

The interesting (and funny) bit comes from the last few seconds, when Adama, who had been crying, suddenly snapped and utterly destroyed a beautiful model sailing ship we had seen him working on over the course of several years. That in itself was not funny; it was an amazing display of rage and frustration, and conveyed how angry and tortured Adama was at the death of someone so close to him. According to Ron Moore (executive producer), that was not scripted! Olmos has done things “in the moment” before, things that weren’t on the page, but this was quite an explosion. He was sad and upset, in the moment, and completely destroyed the model ship.

Now, here’s the punchline: that ship, Moore said, was on loan from a museum and was worth hundreds of thousands of dollars.

Oops.

Obviously, Eddie didn’t know where the ship had come from — he thought it was a prop — and fortunately it was insured. But the faces of the prop masters off camera were apparently, as you can imagine, completely white when that scene was shot. No word on how Olmos reacted when he found out what he had destroyed, but I wouldn’t have wanted to be the one to tell him after seeing what he did to that ship.

Heroes: Company Man

February 27, 2007

HeroesI have been watching NBC’s new hit action drama Heroes since it started, and have been continually entertained by the show. It’s got a lot of interesting characters, some good action, and pushes everyone’s fantasy buttons with the heroes’ superhuman abilities. While I consider it a “good” show, it did have its weak points — like questionable dialog at times (can you say “dumb it down for the lowest common denominator network viewer”?) and horrible, horrible acting by a couple guest actors (like the FBI agent that Parkman was hanging out with for awhile; I’ve heard more believable lines delivered at a 6th-grade play). And while the writing is usually pretty decent, there’s been nothing that really stands out.

Until now.

I just watched episode 17, “Company Man.” Wow. Wow, wow, wow…some of the most amazing writing for television I have ever seen. Great story, great acting, wonderful emotion brought upon you, the viewer, throughout the episode. By the end of the episode I knew I had seen something extraordinary — I can count on one hand the number of things I’ve seen in my life that were that good. My opinion of the show has changed dramatically. I don’t want to ruin anything for you, but I will say that I now strongly recommend this show. Superb episode; it gives the story so far a whole new depth.

Which brings me to my note of caution: if you do decide to start watching Heroes, you really have to see it from the beginning. Like most new television dramas (Battlestar Galactica, Lost, etc), Heroes is highly serial — you have to see it in order to appreciate the story. Some of the episodes can be viewed right on NBC’s web site. If that doesn’t work for you and you need help figuring out how to get ahold of them, let me know.

This one was too good to pass up: an artist has remade most of the main characters from Battlestar Galactica within the Simpsons archetype. Pretty amusing, even more so if you ever watch the (best) show (ever).

And just in case some of you still aren’t watching BSG, let’s sum up the awards they have so far (from Wikipedia):

* 2005 Hugo Award for Best Dramatic Presentation, Short Form. “33″ (Season 1, Episode 1)
* 2005 American Film Institute’s Top 10 Television Shows of the Year
* 2005 Time Magazine’s Best Television Show of the Year
* 2005 TV Guide’s and TV Land’s The 100 Most Unexpected TV Moments for “Kobol’s Last Gleaming, Part 2″
* 2006 George Foster Peabody Award
* 2006 American Film Institute’s Top 10 Television Shows of the Year
* 2006 Time Magazine’s Best of 2006: Television (Position: #7)
* 2006 Scream Awards, Best Television Show

Legendary pop/rock star (and personal musical inspiration of mine) Billy Joel will release “All My Life”, his first single in 14 years, this month. The song, written about his wife Kathie Lee Joel, will be available for download from the People Magazine web site on February 7th and on iTunes February 20th.

Joel will also be performing the national anthem at the Super Bowl this Sunday. Colts, Bears, and Billy Joel — I don’t think I’ll ever have a better Super Bowl!

Dr. McKay says: Get a Mac

January 31, 2007

Warning: Apple fan post ahead.

McKayI was watching Stargate Atlantis episode 3×16, The Ark, when I came across a scene between the regular Atlantis crew and a guy who had been stored within a computer system for thousands of years with a form of beaming technology. Apparently there were a lot more people in the computer, but something went wrong:

“…the computer was supposed to extract me automatically, in order to restore the others.”

McKay: “Unfortunately, the computer froze. Was completely locked up. Probably should’ve used a Mac.”

Check out the clip on YouTube. I like the typical McKay smart-ass tone with which he delivered the line. It made me laugh.

It got me thinking though: we often see Apple products used in shows and movies, but rarely see them directly endorsed by a main character, and certainly not in such a comedic way. So…if you ever need a computer to preserve you during a thousand years of suspended animation…get a Mac. Apple? I feel a revival to the old ad campaign…

Digg this story!

Just a few months after his horrific 280mph crash in a rocket-powered dragster, Top Gear’s Richard “The Hamster” Hammond is returning to the airwaves tonight on the delayed but much-anticipated 9th season (or “series” as the British call it, since they kind of do two series per year) of Top Gear. Shortly after the crash, it was wondered if Hammond would even live…and if he did, doctors were sure it would take him six months of rehab just to do something like walk once again. But five weeks after the crash and a miraculous recovery, Hammond was out of the hospital. Now, he’s ready to talk about the crash on the show — and BBC will reportedly be broadcasting footage of the crash, at Hammond’s insistence. Gotta admire that — if you’re going to go up in a big ball of flames in front of a camera, you better damn well show it to people. (Right, Chris?)

On NBC’s Studio 60 (which I don’t watch but keep hearing good things about), a brass quintet from New Orleans performed what is probably the best arrangement of “O Holy Night” I have ever heard. And, believe it or not, NBC has made it available for free download as an MP3 — no DRM, no restrictions, no cost. You can get it from NBC’s Studio 60 Music site, which also has the clip from the show where the group performed.

Link: NBC Studio 60 Music web site
Download: Brass Quintet ‘O Holy Night’

Following up on my previous posts about the accident: In his first interview about his horrific 288-mph crash last month, Top Gear star Richard Hammond talks about what happened and what went through his mind on that day. Hammond’s progress in recovery has astonished everyone; the moment they pulled him out of the car, doctors were almost certain he was about to die…after being stabilized, it was expected he would be in the hospital for anywhere from 6 to 15 months…now, 33 days later, he has returned home and has nothing to show for the accident except a bloodshot eye. “Doctors use a point system. Fifteen is normal, three is a flatline. I was a three. I was that close to being dead. …Yet here I am ready to go back home after five weeks. I’m so bloody lucky. I can’t believe it.” Read the great interview on The Mirror.

Top Gear star Richard Hammond has made a remarkably recovery so far — only 9 days after a 300 mph crash and uncertainty over whether he would even live, he’s walking and talking and out of the intensive care unit.

However, doctors are cautioning that it is far too early to tell what his long-term prognosis will be. Obviously the critical centers of the brain are intact, but there is concern about the frontal lobe — the region of the brain that affects judgement and personality. The next six months of Hammond’s recovery will likely be very slow and difficult, doctors say.

An article from BBC Health News goes into more detail about what often happens to the brain in a high-speed crash. It seems that Hammond was lucky since he was in a 7-point restraint system that also prevented his head from rotating; apparently, rapid head rotation at high speed can cause even more damage to the brain than a direct blow.

With the network’s cancellation axe hanging over Top Gear’s head, Richard Hammond, who has made a remarkable recovery from his 280-mph crash last week, is begging BBC to let the show go on. Series 9 (season 9 as we call it in the States) was due to start on October 8, but has been postponed indefinitely since Hammond’s crash. He and his fellow presenters, Jeremy Clarkson and James May, are afraid that such a postponement is the first step toward permenant cancellation. Agencies of the British government are poring over the crash site, trying to find evidence of wrongdoing. By all accounts, though, it was just an accident — accidents happen, and now because an accident happened on *gasp* a car show where they drive really fast, the BBC is thinking about cancelling the show. Hammond even wants to broadcast from his hospital bed in order to keep the show alive.